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Annual General Meeting 2016 – Minutes

South India Cultural Association 

Annual General Meeting (AGM)

Date:December 12, 2016 
Time:2:30 PM to 3:30 PM 
Location:St. Thomas the Apostle Anglican Church, 2345 Alta Vista Drive, Ottawa, ON K1H 7M6 

The meeting, having achieved quorum, started at 2:30 pm. 


President’s report:

  • President’s report, outlining activities and events for FY16 was presented by Dr. Venkateswaran and approved. 

Treasurer’s report: 

  • Financial results for FY16 were presented by Mr. Ramnath, approved by Dr. Nair and was followed by a Q&A session.  
  • Financial results included highlights of the revenue generated from events, expenses incurred and the overall profitability of the organization.  

Committee member changes 

  • Incoming committee members were formally nominated and inducted into SICA.New committee members were also introduced to existing members and include: 
    • Aishwarya Vijaykumar
    • Prabhu Vengadeswaran
    • Srivatsan Vijayakumar
    • Yasotha Ahilan
  • After many years of dedicated service, Mrs. Jayasri Ramesh has decided to step down from the executive committee for 2017. 
  • Mr. Ramnath, who has been the treasurer for over 6 years and on the executive committee for over 10 years, and Mr. Ramarathnam have also decided to step down for 2017, but will remain on ex officio. 
  • All members thanked Mrs. Ramesh, Mr. Ramnath and Mr. Ramarathnam for the wonderful job they did. 
  • With no further nominations from the floor and with support from SICA members, the following members were acclaimed to the 2017 executive committee:
    • Dr. Rashmi Venkateswaran (President) 

Thyagaraja Day 2017 confirmed: 

  • Date and additional details to be finalized and communicated to members and committee. 


Q&A period discussion on financial results: 

  • Rising expenditures (weak Canadian dollar, increasing remuneration to artists)  
  • Low account balance – the closing balance of the SICA bank account at the end of 2016 is $1311.92 
  • Difficulties in collecting on sponsorship fees 

Roundtable discussion and idea generation session: 

  • Revenue generation through alternate membership fee structures, sponsorships 
  • Growing the organization’s membership base and collaborating with other organizations in the community 

Changes to membership fee structure:  

  • Overall, majority of members in attendance were in agreement that they would support an increase in membership fees provided that this change has buy-in from the broader membership base.   
  • Current committee put forth an idea of changing the membership structure to a fee + donation model where a portion of the fee may be claimed by members on tax returns. This proposal requires further discussion. 

Action Items 

  • Conduct follow up meeting with new committee members  
  • Discuss and finalize changes to membership fee structure  
  • Plan and organize Thyagaraja Day event 

Proposed membership fees for 2017 

Membership type  Proposed Fee for 2017  Current Fee 2016 
Family  $160  $150 
Couple  $125  $120 
Single  $75  $70 
Couple – Senior  $110  $110 
Single – Senior  $60  $60 
Students  $60  $60 
Non members (per program)  $30  $20 
Organizational membership  $250  N/A

SICA Membership notes: 

  • Memberships purchased in 2017 will be valid until March 1st 2018 
  • A family membership will cover 2 adults and 2 children 21 years of age or below. Additional dependent children may be added for $30 per dependent child 21 years of age or below.
  • Organizational membership package is available exclusively to teachers of Carnatic music and dance across North America. Similar to the family membership, the organizational membership package will cover 2 adults and 2 children below 18 years of age. Further, this membership will include: 
    • Attendance at all programs and performance opportunities for any 2 students of the teacher’s choosing at SICA talent programs 
    • An advertisement on the SICA website as well as select event brochures and promotional material
  • Non member fee is a standard entry fee that will be charged to each non-member for entry to a single SICA event 

Benefits for SICA members include: 

  • Entry to a minimum of two concerts by prominent Carnatic musicians 
  • Entry to and participation opportunities in a minimum two local talent programs 
  • Entry to select Bharatiya Sangeetha Sangham (BSS) Montreal programs for a discounted rate 
  • Group discount rates for SICA members for select non-SICA events 
  • Other benefits and opportunities to be outlined throughout 2017 

Anyone who would like to comment on the proposed fees for 2017 or on any issue relevant to SICA is invited to email the committee at 

The meeting concluded with a vote of thanks by the President and was adjourned at 3:30 PM. 

Carnatic Vocal concert by Chinmaya sisters

SICA is pleased to present a Carnatic Vocal concert by Chinmaya sisters on
Sunday, November 27th at 3 PM at the Amphitheater of St.Paul University, 223 Main Street, Ottawa.



Chinmaya Sisters- Uma and Radhika are popular names in the field of Carnatic Music. With Sweet and mellifluous voices that blend as one, melodious and spirited singing and strict adherence to Classicism, they have captured the hearts of Rasikas worldwide.

Uma and Radhika’s talent in music was identified at a very early age by their parents Sri R. Natesan & Smt. Bhavani Natesan, who took it upon themselves the task of showing them the right direction.

They were initiated into music by their mother Smt Bhavani Natesan, rigorous musical training began right from their childhood, initially from Isai Peroli Neyveli Sri R. Santhanagopalan and later on from Padma Bhushan Madurai T N Seshagoplan and they continue to remain under their able guidance even now.

The duo come from a family of ardent devotees of Swami Chinmayananda. Having received his blessings they have been named Chinmaya Sisters by their Guru. They recall with pride, meeting Swami Chinmayananda and seeking his blessings to begin their musical journey as “Chinmaya Sisters”.

Mauran has been playing the Miruthangam for the past fifteen years under the tutelage of Sri Gowrishanker Balachandran and has accomplished himself in the art at the senior level. He has also received training from Neyveli Skandasubramaniam and his Guru’s Guru, Thiruvarur Bakthavathsalam. Mauran completed his Miruthanga Arangetram in March 2001, and has passed Teacher’s Grade examination conducted by the Thamil Isai Kalaa Manram, Ontario in 2005.

They are accompanied on the mridangam by Mauran Manogaran.
Mauran has accompanied artists such as Smt. Raji Gopalakrishnan, Thiruvarur Girish, Vittal Ramamurthy, Smt. Geetha Rajasekhar, and many others in various performances over the years. He is also a founding member of the Carnatic Youth Society of Canada, an organization that was created by the local youth of Toronto to encourage and develop the South Indian classical arts in Canada amongst youth who learn and practice it.

On the violin by Mithuran Manogaran. Mithuran is an upcoming violinist in the Carnatic music field today in Canada. In 2002, Mithuran started learning violin at the tender age of 8 from Kandadevi Vijayaraghavan in Chennai. Upon returning to Toronto in 2003, he continued to learn from Sangeetha Vidwan Thanathevy Mithradeva (disciple of Sangita Kalanidhi Prof.T.N. Krishnan and Parur M.S. Anantharaman). Currently, Mithuran is receiving advanced training under the tutelage of Shri Kumbakonam M.R. Gopinath. Mithuran is also currently learning vocal under the tutelage of Dr.Varalakshmi Anandkumar, whom is a senior disciple of Sangita Kalanidhi D.K. Jayaraman 

Happy New Year 2016


Dear Friends,

Happy New Year 2016

The following is the minutes of the AGM held on 6 December 2015 at St. Thomas the Apostle Anglican Church, 2345 Alta Vista Dr, Ottawa, ON, K1H 7M6 (sincere thanks to Dr. Ramachandran Nair and Mr. M. Mahadevan for chairing the nomination committee). The new committee is already busy arranging and organizing excellent concerts for this year.  We are hoping to have another great year for SICA members. Please get your Thayagaraja Pancharatnas and Kirtanas ready for the first program of this year – details will be sent soon.

Best regards

SICA committee, 2016


South India Cultural Association

AGM held on 06 December 2015, 2:30-3:30 pm

St. Thomas the Apostle Anglican Church, 2345 Alta Vista Dr, Ottawa, ON, K1H 7M6

The meeting, having achieved quorum, started at 2:30 pm.

The president’s report, outlining activities for the previous year was presented and approved

The treasurer’s report was presented by Ramnath. Approved (Krishnan/Dr. Ramachandran Nair)

As the only other item for AGM was the election of new executive, the meeting was handed over to the Nomination committee (Dr. Ramachandran Nair and Mr. M. Mahadevan)

Since the nomination committee did not receive any nomination from the members it was proposed the present committee will continue in 2016:

Dr. Rashmi Venkateswaran

Ramanathan Kameswaran

Rajesh Ramarathnam

Jayasri Ramesh

As there was no further nominations from the floor, the four members were acclaimed to the executive for 2016. The committee will meet and elect the officers (President, Secretary and Treasurer) from its membership.

The closing balance of SICA bank account at the end of 2015 has dropped to approximately $2500. Due to the weak Canadian dollar and unfavorable exchange rate against US dollars, the remuneration to artists have gone up considerably. In order to provide quality program to our members, the SICA Committee proposed an increased membership fee for 2016 as follows:

 Membership Type  Proposed Fee For 2016  Current Fee 2015
 Family  $150  $120
 Couple  $120  $100
 Single  $70  $60
 Couple – Senior  $110  $90
 Single – Senior  $60  $55
 Students  $60  $50

A new category of Membership (Organization Member) was proposed and the fee was suggested at $200 per year with the privilege of four adult tickets for all the SICA programs.

The resolution was proposed and unanimously accepted by the members.

The meeting concluded with a vote of thanks by the President and was adjourned at 3:15 pm.

Thyagaraja’s minor lapses?



Dr. V.S. Ramachandran

As a biographer of sorts, I have discovered to my surprise that many eminent people belonging to different fields of activity were eccentric, weird, paradoxical and odd. It appears that as a group, musicians and artists head the list of oddballs.

Some examples of enigmatic behaviors of western musicians/composers are as follows: Vivaldi was known for his egoism, vanity, and obsession with money. Bach was very abusive towards his students to the extent they thought of assassinating him. Mozart was crude, undependable, shorttempered and looked down on those who were not talented. Beethoven was nonchalant, violent, jealous, stubborn, and impatient. Chopin had a lot of idiosyncrasies. Wagner was obsessed with fairies, magicians and was uncontrollably extravagant, incurring a lot of debts. Verdi was secretive and anti-social. Brahms was very shabby, a heavy smoker, cynical and a drunk. Tchaikovsky was always unhappy for no apparent reason. Glen Gould was an iconoclast and an eccentric personality. Eric Satie, was a bachelor with odd characteristics. For instance, he loved a girl because she belched in a cute way! Stravinsky was an egoist and a hypochondriac. Fascinating details about many personalities belonging to different disciplines are to be found in my recent book entitled, “Enigmatic Lives of Celebrities”.

While writing the book on eminent personalities, I was curious to know whether famous Indian composers/musicians exhibited such aberrant behaviors. One of the problems I encountered, more often than not, was that the anecdotes pertaining to Indian composers lack authenticity and are often exaggerated. For instance, some of them are considered as incarnations. Many miracles are attributed to them. I found that Thyagaraja, justifiably was a unique personality, and could be regarded as a genius and a saint. Hence I read with great interest his life story and contributions. I decided to present a few facts about him that are not commonly known. I realized that his compositions are in fact an autobiographical presentation!

Thyagaraja was a great composer, saint and an ardent devotee of Rama. His compositions represent a combination of Vedanta, devotion and literary excellence. On occasions however, he exhibited normal human failings, albeit, of minor nature. But his greatness lay in the realization of his lapses and seeking immediate atonement through his compositions.

Thyagaraja was a strict disciplinarian and would be irritated if his sishyas (students) did not follow his commandments. Once, without his permission, some of his students attended a marriage function. He was very upset and as a punishment, they were not served food for a whole day. Thyagaraja’s wife, feeling sorry for the sishyas told Thyagaraja that he was too stringent and that a good guru should be compassionate towards his students for their minor misdeeds. She asked him whether he had not committed any transgression in his life. Thyagaraja regretted his action, calmed down and composed the song “Shathamu Lekha Soukyamu Ledu”, in the raga Sama. It means that happiness cannot be attained without the tranquility of mind.

His intense love for Rama so clouded his thoughts, that he disregarded other deities, to the point of bigotry. In the song, “Lavanya Rama (Poorna Shadjam)”, he implied that Rama, was better than any other God and that he had nothing to do with other deities. Once, the Goddess of Thiruvayyaru viz., Dharmasamwardhini was taken in a procession. When it was passing through his street, he made sure to shut all the windows and doors to avoid seeing the Goddess. Soon after, he was afflicted with grave illness which he attributed to the wrath of Dharmasamwardhini. As an atonement, he composed his first piece (Shaivaite related) entitled “Karuna Joodavamma” in Thodi. It states, “I am aware that you are the protector of the world. Only you can destroy the sins committed by ignorant people”. Thyagaraja, subsequently composed songs on deities other than Rama, viz., Subrahmanya, Krishna, Hanuman, Tulasi, Siva, Kamakkshi, etc.

In one of his conversations with a music lover, he was made to realize that he was seeking bliss for himself, unmindful of others. He regretted that it was a selfish act. In addition, it was made clear to him that he had scant regard for some men. After realizing this lapse on his part, he composed the song, “Aparadhamula maanimpayaadu kovayya” in Darbar. In this song he confesses that he was arrogant, abusive to others and even gossiped. He was remorseful that while uttering Lord’s name his mind was meandering towards worldly pleasures.

There was a tinge of pride in him when he announced that he reveled in susvara in the song, “Chinthistunnade Yamudu (Mukhari)”. He states, that even those sinners who have taken to singing Thyagaraja’s songs can evade Yama, the God of death. In another piece, “Elavathara metti kontivi (Mukahari), he boldly asserts that Rama favored him with boons, being delighted with hundreds of songs composed by him.

He also exhibits some egoism when he stated that due to Rama, his fame had spread far and near in the composition “Dasarathi nee runamu” in Thodi. Some critics feel that in the song “Sogasuga mridanga talamu” (Sriranjani) he implied that he was only one who was capable of singing the songs in all purity and charming rhythms. In another composition, “Mithri bhagyame bhagyamu” in Karaharipriya, he asserts that Lakshmana was fortunate in listening to the aesthetic and rare ragas of Thyagaraja.

His condemnation of women, at times, was severe and bordered on chauvinism. In the song, “Menujuchi mosa bokave” in Sarasangi, he debunks the features of women. He cautioned that men should not be deluded by them as in the inside of them there is nothing but filthy excreta, blood, and other ugly things. The same theme, in a milder form occurs in the song, “Entha nerchina entha joochina”, in raga Udayaravichandrika. Even the learned and great men are liable to be enslaved by women.

It is pertinent to remember that critics opine that Rama, Thyagaraja’s most favored God, was not without some blemishes, viz., killing of Vaali on the sly, testing devoted Sita’s purity by asking her to walk through fire and sending her to the forest on some flimsy grounds.

In conclusion, I would consider Thyagaraja was one of the greatest souls. It is very hard to discover significant gaffs of Saint Thyagaraja. Save a few songs mentioned above, almost all his compositions reflect his humility, bhakthi, extensive knowledge, originality and humaneness. Thyagaraja’s greatness lies in the fact that he did not mind confessing with regret whenever he thought he went astray from righteousness. That reinforces our conviction, that truly he was one of the greatest personalities of the world.

About the Author

Dr. V.S. Ramachandran, a longtime patron of SICA is an acknowledged world leader in the field of Concrete Science and holds the most prestigious title, “Distinguished Researcher, and was the recipient of President’s award.” at the National Research Council of Canada. His research career extending over fifty years has resulted in innumerable scientific publications, including twenty books and twenty chapters. Some of them have been translated into other languages. He is a Fellow of the Royal Society. He is a recipient of many awards and honors. His varied interests are obvious from his contributions to magazines and newspapers on topics such as short stories, poems, popular science, and music. Dr. Ramachandran has appeared in various international biographical works.